Books with title If You Want to See a Whale

If you want to see a whale, you will need to know what not to look at. Pink roses, pelicans, possible pirates . . . If you want to see a whale, you have to keep your eyes on the sea, and wait . . . and wait . . . and wait . . . In this quiet and beautiful picture book by Julie Fogliano and Erin E. Stead, the team that created the Boston Globe-Horn Book Honor book And Then It's Spring, a boy learns exactly what it takes to catch a glimpse of an elusive whale. This title has Common Core connections. A Neal Porter Book A Publishers Weekly Best Children's Book of 2013A Kirkus Reviews Best Book of 2013

A college freshman is swept into shaky moral territory within the cut-throat world of visual arts in this razor-sharp novel.Winning a scholarship to California's most prestigious art school seems like a fairy tale ending to Sabine Reye's awful senior year. After losing both her mother and her home, Sabine longs for a place where she belongs. But the cutthroat world of visual arts is nothing like what Sabine had imagined. Colin Krell, the renowned faculty member whom she had hoped would mentor her, seems to take merciless delight in tearing down her best work -- and warns her that she'll lose the merit-based award if she doesn't improve. Desperate and humiliated, Sabine doesn't know where to turn. Then she meets Adam, a grad student who understands better than anyone the pressures of art school. He even helps Sabine get insight on Krell by showing her the modern master's work in progress, a portrait that's sold for a million dollars sight unseen. Sabine is enthralled by the portrait; within those swirling, colorful layers of paint is the key to winning her inscrutable teacher's approval. Krell did advise her to improve her craft by copying a painting she connects with...but what would he think of Sabine secretly painting her own version of his masterpiece? And what should she do when she accidentally becomes party to a crime so well-plotted that no one knows about it but her? Complex and utterly original, What I Want You to See is a gripping tale of deception, attraction, and moral ambiguity.

A college freshman is swept into shaky moral territory within the cut-throat world of visual arts in this razor-sharp novel.Winning a scholarship to California's most prestigious art school seems like a fairy tale ending to Sabine Reye's awful senior year. After losing both her mother and her home, Sabine longs for a place where she belongs. But the cutthroat world of visual arts is nothing like what Sabine had imagined. Colin Krell, the renowned faculty member whom she had hoped would mentor her, seems to take merciless delight in tearing down her best work -- and warns her that she'll lose the merit-based award if she doesn't improve. Desperate and humiliated, Sabine doesn't know where to turn. Then she meets Adam, a grad student who understands better than anyone the pressures of art school. He even helps Sabine get insight on Krell by showing her the modern master's work in progress, a portrait that's sold for a million dollars sight unseen. Sabine is enthralled by the portrait; within those swirling, colorful layers of paint is the key to winning her inscrutable teacher's approval. Krell did advise her to improve her craft by copying a painting she connects with...but what would he think of Sabine secretly painting her own version of his masterpiece? And what should she do when she accidentally becomes party to a crime so well-plotted that no one knows about it but her? Complex and utterly original, What I Want You to See is a gripping tale of deception, attraction, and moral ambiguity.

“The dreams and stuff. I guess they’ve started for you. First night here, right?”“People always dream,” Jim said. “It was just kind of vivid.”Isabella put the bite in her mouth and chewed. “But not like they do here. Here, your dreams are reality. All this other stuff . . . the classes, the food, the people . . . all this other stuff is fake. Meant to make you feel comfortable. Used to routine. The dreams are the thing. That’s the whole secret to this place.”Carl Sanders is not the rehab counselor Jim Rogers expected, and his study partner, Isabella Saenz, is definitely hiding something.And then, of course, there are the dreams. Dreams of the past. Dreams of things that have never been, people he has never known, events that may or may not be real. With each dream, Jim draws closer to a truth he cannot acknowledge, a violence he cannot speak of, pain he cannot bear. With him each step is Isabella, gradually opening to him her own dark truths in order to pull his out. But the darkness that haunted him and stalked him is now after people he loves. Can he learn to see in time?

If you really want to see a woodland caribou, you might try going to a place forgotten by time. It should be a hushed place, with perhaps rocky green hills and blue water, home to loons and beaver, lichen and yellow buttercups. With every step, this gentle journey brings us to a deeper and more unique connection with nature. Phyllis Root’s mesmerizing text, together with Jim Meyer’s outstanding woodblock prints, makes the very heart of the forest come alive and reveals that if you are patient and quiet, sometimes what you are seeking will, in the end, find you.

“The dreams and stuff. I guess they’ve started for you. First night here, right?” “People always dream,” Jim said. “It was just kind of vivid.” Isabella put the bite in her mouth and chewed. “But not like they do here. Here, your dreams are reality. All this other stuff . . . the classes, the food, the people . . . all this other stuff is fake. Meant to make you feel comfortable. Used to routine. The dreams are the thing. That’s the whole secret to this place.” Carl Sanders is not the rehab counselor Jim Rogers expected, and his study partner, Isabella Saenz, is definitely hiding something. And then, of course, there are the dreams. Dreams of the past. Dreams of things that have never been, people he has never known, events that may or may not be real. With each dream, Jim draws closer to a truth he cannot acknowledge, a violence he cannot speak of, pain he cannot bear. With him each step is Isabella, gradually opening to him her own dark truths in order to pull his out. But the darkness that haunted him and stalked him is now after people he loves. Can he learn to see in time?

If you really want to see a woodland caribou, you might try going to a place forgotten by time. It should be a hushed place, with perhaps rocky green hills and blue water, home to loons and beaver, lichen and yellow buttercups. With every step, this gentle journey brings us to a deeper and more unique connection with nature. Phyllis Root’s mesmerizing text, together with Jim Meyer’s outstanding woodblock prints, makes the very heart of the forest come alive and reveals that if you are patient and quiet, sometimes what you are seeking will, in the end, find you.

If you really want to see a woodland caribou, you might try going to a place forgotten by time. It should be a hushed place, with perhaps rocky green hills and blue water, home to loons and beaver, lichen and yellow buttercups. With every step, this gentle journey brings us to a deeper and more unique connection with nature. Phyllis Root’s mesmerizing text, together with Jim Meyer’s outstanding woodblock prints, makes the very heart of the forest come alive and reveals that if you are patient and quiet, sometimes what you are seeking will, in the end, find you.

Winning a scholarship to California’s most prestigious art school seems like a fairy-tale ending to Sabine Reyes’s awful senior year. After losing both her mother and her home, Sabine longs for a place where she belongs.But the cutthroat world of visual arts is nothing like what Sabine had imagined. Colin Krell, the renowned faculty member whom she had hoped would mentor her, seems to take merciless delight in tearing down her best work—and warns her that she’ll lose the merit-based award if she doesn’t improve.Desperate and humiliated, Sabine doesn’t know where to turn. Then she meets Adam, a grad student who understands better than anyone the pressures of art school. He even helps Sabine get insight on Krell by showing her the modern master’s work in progress, a portrait that’s sold for a million dollars sight unseen.Sabine is enthralled by the portrait; within those swirling, colorful layers of paint is the key to winning her inscrutable teacher’s approval. Krell did advise her to improve her craft by copying a painting she connects with but what would he think of Sabine secretly painting her own version of his masterpiece? And what should she do when she accidentally becomes party to a crime so well-plotted that no one knows about it but her?Complex and utterly original, What I Want You to See is a gripping tale of deception, attraction, and moral ambiguity.

Winning a scholarship to California's most prestigious art school seems like a fairy-tale ending to Sabine Reyes's awful senior year. After losing both her mother and her home, Sabine longs for a place where she belongs.But the cutthroat world of visual arts is nothing like what Sabine had imagined. Colin Krell, the renowned faculty member whom she had hoped would mentor her, seems to take merciless delight in tearing down her best work--and warns her that she'll lose the merit-based award if she doesn't improve.Desperate and humiliated, Sabine doesn't know where to turn. Then she meets Adam, a grad student who understands better than anyone the pressures of art school. He even helps Sabine get insight on Krell by showing her the modern master's work in progress, a portrait that's sold for a million dollars sight unseen.Sabine is enthralled by the portrait; within those swirling, colorful layers of paint is the key to winning her inscrutable teacher's approval. Krell did advise her to improve her craft by copying a painting she connects with but what would he think of Sabine secretly painting her own version of his masterpiece? And what should she do when she accidentally becomes party to a crime so well-plotted that no one knows about it but her?Complex and utterly original, What I Want You to See is a gripping tale of deception, attraction, and moral ambiguity.